TEN DAYS IN INDIA (Traveler's Mind)
This
workshop is designed to capture the traveler's special state of mind, a combination of alertness and curiosity, and use it to heighten the
classroom experience. In 2013, we offer ten days of writing in the historic blue city of Jodhpur, Rajasthan. By traveling beyond the familiar surroundings of home,
students can devote their undivided energy to the task at hand, be it
cultivating the habits of close observation and a disciplined writing
life, or risking encounters in a foreign landscape.
Limited to 10 students.
February 17-27, 2013 - Jodhpur, Rajasthan, India
May 2014 - Cádiz, Spain [details coming in July 2013]
India details available at www.veracruzworkshops.com/
Limited to 10 students.
February 17-27, 2013 - Jodhpur, Rajasthan, India
May 2014 - Cádiz, Spain [details coming in July 2013]
India details available at www.veracruzworkshops.com/
PORTRAIT & GESTURE: Characterization
In order to move the reader, writers must deliver characters that are recognizable, compelling, and demand the reader's attention. In this workshop, we will look at ways of showing and telling that make character enliven the page. "...every feeling waits upon its gesture," said Eudora Welty, who learned her craft traveling around Mississippi during the Depression and photographing people for the WPA. In addition to writing short sketches in class, we will read assigned fiction by Tobias Wolff, Roxana Robinson, T. C. Boyle and Miss Welty, in order to study how they how they deliver characters that we may hate or love, but always hear and see. Students submit weekly sketches for discussion – can be fiction or nonfiction – and one manuscript, both first draft and its revision, for critique.
Workshop format, limited to 8 students. $325
Tuesday nights, 6:30-9:30
To register: email marthagies{at}comcast.net
STORIES OF SOCIAL ENGAGEMENT
“The role of the artist is to ask questions,” Chekhov insisted, “not answer them.” Exactly! How do we write our stories in a way that raises important questions in the mind of the reader without preaching or imposing solutions? How do we write literature that matters? In this class we will study stories that raise social questions – stories by Leo Tolstoi and John Edgar Wideman, Toni Bambara and ZZ Packer, Sherwood Anderson and Joyce Carol Oates – to see how these writers tackle issues and values in a way that plants a question in the mind. Guided discussions on technique; written exercises; assigned stories for study; informal in-class critique of student work; mutual support and encouragement. Students submit two short works and one revision.
Workshop format, limited to 8 students. $325
Tuesday nights, 6:30-9:30
To register: email marthagies{at}comcast.net
In order to move the reader, writers must deliver characters that are recognizable, compelling, and demand the reader's attention. In this workshop, we will look at ways of showing and telling that make character enliven the page. "...every feeling waits upon its gesture," said Eudora Welty, who learned her craft traveling around Mississippi during the Depression and photographing people for the WPA. In addition to writing short sketches in class, we will read assigned fiction by Tobias Wolff, Roxana Robinson, T. C. Boyle and Miss Welty, in order to study how they how they deliver characters that we may hate or love, but always hear and see. Students submit weekly sketches for discussion – can be fiction or nonfiction – and one manuscript, both first draft and its revision, for critique.
Workshop format, limited to 8 students. $325
Tuesday nights, 6:30-9:30
September 24-November 26, 2012 (ten weeks)
Meets at instructor’s apartment near east end of Broadway Bridge.
STORIES OF SOCIAL ENGAGEMENT
“The role of the artist is to ask questions,” Chekhov insisted, “not answer them.” Exactly! How do we write our stories in a way that raises important questions in the mind of the reader without preaching or imposing solutions? How do we write literature that matters? In this class we will study stories that raise social questions – stories by Leo Tolstoi and John Edgar Wideman, Toni Bambara and ZZ Packer, Sherwood Anderson and Joyce Carol Oates – to see how these writers tackle issues and values in a way that plants a question in the mind. Guided discussions on technique; written exercises; assigned stories for study; informal in-class critique of student work; mutual support and encouragement. Students submit two short works and one revision.
Workshop format, limited to 8 students. $325
Tuesday nights, 6:30-9:30
January 7-March 11, 2014 (ten weeks)
Meets at instructor’s apartment near east end of Broadway Bridge.

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